Writing Prompts

Make Writing A Habit

  • Home
  • Writing Books
  • Blog
  • Contact

Learning Grammar through Reading: What Harry Potter Can Teach Us about English Grammar Rules (Week 2)

Commas and the Chamber of Secrets

Last week in our “Learning Grammar through Reading” series, we covered the first Harry Potter book with our discussion of common English homophones. Today we’re going to pick up our grammar lesson by taking a look at comma usage in Harry Potter and the Chamber of Secrets. It’s all Tom Riddle, Moaning Myrtle, and Basilisk fangs from here on out. And, you know, grammar stuff, too.

As I did before, I must warn you that this post contains spoilers, and I must ask that, if you have not read the Harry Potter series, you do so immediately. Run, do not walk, to the closest library or bookstore. I won’t even be mad that you haven’t read this post yet, as long as you promise to come back when you’re done reading. (If you’ve already gone and come back, I already know what you’re here to say. You’re welcome.)

Introduction to Commas

Commas are tricky little pieces of punctuation. Even the most experienced writers and editors sometimes struggle with correct comma usage. I could write an entire article on comma usage alone, but instead I am going to focus on three of the most common uses of commas.

Comma Use 1: Offsetting Non-Restrictive Clauses

“It is our choices, Harry, that show what we truly are, far more than our abilities.”

A non-restrictive clause adds extra information to a sentence. This information is not essential to the meaning of the sentence. In the above quote, Dumbledore is speaking to Harry. Harry knows that Dumbledore is speaking to him, and the reader does as well. Still, Dumbledore feels the need to say Harry’s name, because he’s old, he’s wise, and he’s Dumbledore—he can get away with stuff like that. Harry is offset by two commas because it is a non-restrictive clause.

Comma Use 2: Separating Items in a Series

“Voldemort,” said Riddle softly, “is my past, present and future, Harry Potter. . .”

Spoiler alert: Tom Riddle is Voldemort. Or rather, Tom Riddle will become Voldemort. If you’ve read the book—which, I believe, we’ve already established that you have—you know what I’m talking about. In the above quote, commas are being used to separate items in a series. Tom Riddle messes with all our minds by referring to himself in the third person and warping our sense of time, something he definitely couldn’t have done without his artful use of commas.

Some of you may be wondering why there is no comma following present in this quotation. This type of comma, known as a serial comma, is typically not used in British publications, so you won’t find it in the Bloomsbury editions of the Harry Potter series. If you’re reading the U.S. versions, published by Scholastic, the above sentence will read like this:

“Voldemort,” said Riddle softly, “is my past, present, and future, Harry Potter . . .”

Don’t ask me why Americans and Brits can’t seem to agree on the use of the serial comma. I don’t have the answer. If I did, I would probably also know how Gilderoy Lockhart was ever hired as the Defense Against the Dark Arts teacher despite his raging incompetence. I don’t have all the answers, people.

Comma Use 3: Joining Independent Clauses with a Conjunction

There had been no more attacks since those on Justin and Nearly Headless Nick, and Madam Pomfrey was pleased to report that the Mandrakes were becoming moody and secretive, meaning that they were fast leaving childhood.

An independent clause does not need additional information to make sense; that is, it can stand on its own as a logical sentence. Madam Pomfrey’s clause, like Madam Pomfrey herself, can totally stand on its own. (Shout out to independent witches everywhere!) Even though independent clauses can act as their own sentences, it’s sometimes nice to put related clauses together in one sentence. It adds variety to sentence structure, making writing sound better and more natural. There are a few ways to combine independent clauses. One of these ways is to use a comma with a conjunction (words like and, for, but, so, and yet). The information about Justin and Nearly Headless Nick is related to the information about the Mandrakes, which is why these clauses have been joined rather than made into two separate sentences.

Conclusion

Thanks for reading this week’s Harry Potter grammar lesson. If you missed last week’s article on homophones in Harry Potter and the Philosopher‘s Stone, please consider checking it out.

Filed Under: Grammar Tagged With: grammar, reading

Learning Grammar through Reading: What Harry Potter Can Teach Us about English Grammar Rules (Week 1)

Homophones and the Philosopher’s Stone

Harry and Ron taught you about the bumpy roads that even the strongest of friendships sometimes must travel—even if you happen to be driving a flying car. Dumbledore taught you that you must be foolish to become wise, Voldemort taught you the meaning of the phrase “self-fulfilling prophecy,” and Hermione taught you the importance of paying attention in Herbology class if you ever plan to escape from a tangle with Devil’s Snare. I could go on for days about the valuable life lessons I’m sure you learned from reading Harry Potter, but instead, I think I’ll teach you yet another lesson.

Learning grammar through reading is a great way to pick up on the nuances of the English language while also learning about the culture of English literature. The Harry Potter series was originally written with a young adult audience in mind, which means that it is easy to read but still contains mature themes and a fantastic story arc. With that in mind, this seven-week-long series will use quotes from all seven Harry Potter books to unpack some common English grammar and punctuation rules. After all, what better way is there to learn grammar than with a little bit of magic?

WARNING: THIS POST CONTAINS SPOILERS. If you haven’t read the Harry Potter series, bookmark this page and come back after you’ve done so. I’m serious. Read it. Go. Now. Then come back. I’ll miss you.

Introduction to Homophones

We start our grammar quest at the beginning, with the first book in the series: Harry Potter and the Philosopher‘s Stone, or—if you’re in the US—Harry Potter and the Sorcerer’s Stone. Today we will use the story of Harry’s first year at Hogwarts to learn more about homophones. Homophones are words that sound the same but have different meanings. Some homophones are spelled the same, while others aren’t. An example of a pair of homophones is the words witch and which. Hermione Granger is a witch. Hermione must decide which is more important: following the rules or helping her friend defeat the Dark Lord. Homophones with different spellings are often mixed up by people who have trouble with spelling and grammar. In particular, there are three groups of commonly confused homophones.

Group 1: Their/There/They’re

 He couldn’t know that at this very moment, people meeting up in secret all over the country were holding up their glasses and saying in hushed voices: “To Harry Potter—the boy who lived!”

Their indicates possession. It means that something belongs to someone. In the above quote, wizards all over the country are holding up the glasses from which they are about to drink—their glasses—in honor of Harry.

There are some things you can’t share without ending up liking each other, and knocking out a twelve-foot mountain troll is one of them.

There is a somewhat tricky word to define, as it has several meanings. It can act as an adverb that indicates a place or a manner, or it can be used as a pronoun to introduce sentences in which the verb comes first, as in the above quote that begins with There are and explains just exactly how Hermione becomes friends with Harry and Ron. If it does not indicate possession and is not a contraction of they are, there is the correct spelling.

“Don’t worry, the Weasleys are more than a match for the Bludgers—I mean, they’re like a pair of human Bludgers themselves.”

They’re is a contraction: it is a combination of the words they and are. In the above quote, Gryffindor’s Quidditch captain, Oliver Wood, is talking to Harry about both Fred and George Weasley and how they are akin to Bludgers.

Group 2: Your/You’re

“Miss Granger, you foolish girl, how could you think of tackling a mountain troll on your own?”

There is nothing more embarrassing than getting in trouble with Professor McGonagall—except, perhaps, using the wrong your. Like their, your is a pronoun that indicates possession. In the above example, Hermione has told Professor McGonagall that she tried to take on the troll alone—that is, all on her own.

“I hope you’re pleased with yourselves. We could all have been killed—or worse, expelled. Now if you don’t mind, I’m going to bed.”

Just like they’re is a combination of the words they and are, you’re is a contraction of the words you and are. If you’re ever in doubt about which spelling of your/you’re to use, simply replace it with you are to determine if the sentence still makes sense. In the above quote, Hermione hopes that both Harry and Ron are pleased about their encounter with Fluffy, the three-headed dog. She’s a very smart girl, but I think her priorities are a bit off sometimes.

Group 3: To/Too/Two

“It does not do to dwell on dreams and forget to live, remember that.”

Like there, to is a difficult word to concisely define, as it has many definitions. It can act either as a preposition or an adverb. In the above quotation, Professor Albus Dumbledore imparts some of his famous wisdom, advising Harry to leave the Mirror of Erised behind. A word to the wise: if Albus Dumbledore gives you advice, you listen. If Albus Dumbledore tells you to hop around on one foot wearing a tutu, you do it. He’s Dumbledore, guys. He’s Dumbledore.

“There is no good and evil, there is only power, and those too weak to seek it.”

Too is an adverb with two possible meanings: it either means additionally or as well, or it refers to an excess of something, as in the above quotation from Professor Quirrell. Quirrell is paraphrasing Lord Voldemort here when he explains that an excess of weakness—or too much weakness—is the only thing stopping some people from pursuing and acquiring power. Remember what I just said about listening to Dumbledore? Yeah, the opposite rule applies to Voldemort. He’s Voldemort, guys. Voldemort.

“Oh, honestly, don‘t you two read?”

The definition of two is simple. This spelling refers to the number 2. In the above quotation, Hermione is questioning Harry and Ron for not knowing what the philosopher’s stone is. She is asking whether the two boys read, hence the spelling of two. This is something I often ask pairs of people who say they’ve never read Harry Potter.

Conclusion

This concludes our look at Harry Potter and the Philosopher’s Stone. Don’t forget to check out next week’s post, where we’ll take a look at commas using Harry Potter and the Chamber of Secrets.

Filed Under: Grammar Tagged With: grammar, reading

The 8 Scariest Monsters in Literature

Introduction

The thin layer of frost, brisk air, and falling leaves all signify one thing: it is finally that time of year when it is socially acceptable to eat hundreds of tiny chocolate bars in one sitting.

October is hands down the best month of the year. By day, you can enjoy the beautiful fall weather, and by night, you can indulge in your favorite guilty pleasure (besides chocolate): horror novels. Seriously, fall is an excellent time to dive into a good book, and every great horror novel begins and ends with a good monster. Don’t believe me? Check out this list of the scariest monsters in literature.

Dracula

Dracula: the original vampire. He is not the sparkly vampire we are accustomed to. He was brought to life in 1897 by Bram Stoker. Dracula turns into a bat at night and can turn into a wolf during the day. Oh, in case you forgot, he also sucks blood. If that wasn’t enough, the man is as alluring as he is terrifying; he is described as a charming, handsome man that has an uncanny ability to blend into society.

Grendel

Grendel is the antagonist from the poem Beowulf. He is often described as an incredibly strong giant. Not only is he large, he is also charmed in such a way that he isn’t affected by human weapons. He terrorizes Hrothgar’s kingdom and is feared by everyone (except Beowulf, of course). And it’s no wonder why—he can defeat dozens of men at a time and then eats the dead. Gross.

Pennywise

Pennywise is the monster from Stephen King’s novel IT. It presents itself as a clown for the majority of the novel, terrorizing a small town. Pennywise has claws and razor-sharp teeth. Yeah, we know, it’s a terrifying image. To make it even worse, Pennywise preys on fear and targets children.

Beldam (The Other Mother)

Beldam is the villain from Neil Gaiman’s Coraline. In the novel, a young girl finds herself in an alternate world that is a mirror image to her own. There, she meets Beldam, the Other Mother, who cares for and loves her unconditionally.

What, that doesn’t sound scary? Did we forget to mention the Other Mother is actually a witch who wants to sew buttons onto Coraline’s eyes and steal her soul? Yeah, no thanks.

Fun fact: Beldam actually means hag or witch, which is an excellent example of a charactonym.

Patrick Bateman

Patrick Bateman is the main character from the novel American Psycho, written by Bret Easton Ellis. Though he is of the human variety, Patrick the (maybe) serial killer is super scary. He lives out his darkest fantasies, including murder and cannibalism. This book is so twisted that it has been banned or labeled R18 in several countries. This is a novel for the die-hard horror fanatics, so please don’t give this novel to children!

Frankenstein’s Monster

Mary Shelley delivered one of the most iconic monsters of all time in her book Frankenstein. Dr. Frankenstein combined various body parts to create this monster, which was given life by a mysterious spark. He is eight feet tall and very strong. After being abandoned by his creator, he seeks revenge and goes on a murder spree. Perhaps tied for scariest monster in this book is Dr. Frankenstein himself, the irresponsible scientist who ignores the consequences of his actions.

Dementors

J.K. Rowling introduced the world to dementors in Harry Potter and the Prisoner of Azkaban. They are black, wispy, soul-sucking beings that patrol the Azkaban prison. When they are brought to Hogwarts to protect the students after the infamous Sirius Black escapes prison, they attack Harry without warning.

Conclusion

Are you scared yet? Share some of the scariest monsters you know with us on Facebook or Twitter!

Filed Under: Books and Creative Writing Tagged With: fun, halloween, reading, rw

  • « Previous Page
  • 1
  • 2
  • 3

Follow Us!

Categories

  • Academic Writing
  • Blogging
  • Books and Creative Writing
  • Business
  • Citations
  • Communication
  • Content Writing
  • Creative Writing Prompts
  • Definitions
  • Downloads
  • Editing and Proofreading
  • Education
  • Education Applications
  • External Resources
  • Finance
  • Formatting
  • Forms
  • Freelance Writing
  • General
  • Grammar
  • Guest Post
  • Job Applications
  • Letter Writing
  • Marketing
  • Personal
  • Proposals
  • Publishing
  • Quotes About Writing
  • Resumes
  • Software
  • Templates
  • Uncategorised
  • Writing Advice
  • Writing Books

Recent Posts

  • Ashfall Orchard
  • The best way to have a good idea
  • The Last Radio Signal
  • Describe a holiday
  • Exit Interview
  • The Sleep Log
  • Borrowed Face
  • Do the work
  • The Therapy Tape
  • The Quiet Floor
Terms
Privacy

test2

Copyright © 2026 WritingPrompts.com