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The Comic Touch: How to Be Funny in Your Writing

Airplanes. Ben Affleck making a comeback after Gigli. Space travel. Women not just wearing—but totally rocking—pants on a regular basis. Justin Timberlake being taken seriously as an actor.

These are all things that people once thought highly unlikely, and maybe even impossible, yet they’re all totally accepted facts today.

The lesson here? There’s no such thing as impossible. If you put your mind to it and are willing to do the work, then gosh dang it, you can learn how to be funny.

But before we get into the how of writing humor, I’d like to delve into the why. The suspense of waiting for the how may very well kill you, I know, but what can I say? I’m a risk taker.

What are the benefits of writing humor into your story?

You may be wondering why incorporating humor into fiction and other types of creative writing is even important. You may think that learning how to be funny is secondary to learning how to tell compelling, dramatic stories.

The truth is, writing humor is important precisely because it helps create compelling and dramatic stories. Allow me to break that down into five easily digestible points that are sure to provide you with your daily dose of figurative fiber:

1. Humor can be used to give us a break from other more intense emotions.

You’ve surely heard the term “comic relief” tossed around before. Comic relief occurs when a comic scene or character appears in an otherwise tragic or serious tale. It gives the audience or reader a break from the intensity of the rest of the story.

Shakespeare is big on comic relief. Considering that his tragedies—like King Lear, Romeo and Juliet, Hamlet, and Othello, to name a few—always conclude with the violent deaths of most of the characters, you can see how some laughs might ease the tension a bit before the imminent bloodshed.

2. Writing humor can be satiric—it can work to highlight the absurdity of a real issue.

Sometimes writing about reality can be a hefty task. Explicitly stating what’s wrong with the world, with society, with your parents, or with your less-than-complete sense of self is not always the most effective or entertaining way to communicate your message. Plus, some topics are taboo—and as fun as it is to say taboo, what this word means is that you’re not really supposed to talk about certain things. Cue satire.

Joseph Heller’s Catch-22 is an astonishing example of satire. Heller uses satire to highlight the absurdity, the illogicality, the painful contradictions, and the nonsensical confusion experienced by soldiers fighting in a world war, as well as the chaos behind the concept of war itself.

Another example of tackling a taboo subject with satire is Oscar Wilde’s hilarious play, The Importance of Being Earnest, which highlights the contradictions between appearances and reality in English society in the late 1800s. In Earnest, deviations from convention are the only ways to escape a world in which believing something is enough to make it true. In the play, this is seen in Algernon’s “Bunburying,” which is widely interpreted as a metaphor for homosexual activity (which was illegal at the time and landed Wilde himself in prison).

3. Writing humor can help create an honest connection between the reader and the narrator or character.

Just as we love the “class clown” in real life, we tend to love funny characters in books. These are the kinds of people who, if they actually existed, would make my grandmother smile wryly and say, “Oh, that one’s a character all right!” I love that woman.

A great example of using humor in writing to help the reader relate to the story is John Dies at the End, a comic horror novel by David Wong. A truly absurd book from start to finish, this comic and sardonic narrative lets the reader inside the mind of the narrator, David. We get a solid grasp of his sense of humor (complete with grammar jokes about apostrophes and dangling modifiers, I might add), but we also get the inside scoop on the intense experiences and feelings he’s having.

Considering that David has unwittingly contributed to the opening of a portal to other dimensions, complete with gods of chaos and squiggly, creepy creatures, you could say he’s going through a pretty tough time. The humor in this book also helps us fall in love with David’s partner in crime, John, who to our relief—spoiler alert—does not actually die at the end.

4. Humor can be used as a contrast to tragedy, making the poignancy of more difficult emotions hit the reader even harder.

Dave Eggers masters the contrast of comedy with tragedy in his semi-fictional memoir, A Heartbreaking Work of Staggering Genius. This book is laugh-out-loud funny. It’s crawling with Eggers’ trademark wit and astute observations about the hilarity of everyday life. Filled with wild tangents and unconventional fourth-wall confrontations, this book is sure to keep most readers on their toes.

Did I mention both of Eggers’ parents die at the beginning of the book and that Eggers must then assume custody of his young brother? Eggers, with his fantastical blurring of fiction and reality, allows the reader to almost forget this. Then, quietly, he reminds us. The result? We’re momentarily heartbroken, only to be uplifted again by Eggers’ next wild tangent. While it may be either wildly pretentious or painfully ironic, the book’s title is quite accurate.

5. Writing humorously keeps the reader interested and engaged.

Even if humor serves no other purpose in your writing, know this—most people respect a good display of wit. Even if you don’t know how to be funny in real life, I suggest you learn how to be in your writing.

Clever writing is intelligent writing, and intelligent writing is respected and encourages engagement. Shakespeare reigns supreme in the wit department, and Wilde runs a close second. For more examples of wit that just won’t quit, I recommend checking out anything written by Jane Austen, J.R.R. Tolkien’s The Hobbit, Charles Dickens’ A Christmas Carol, and J.K. Rowling’s Harry Potter and the Philosopher’s Stone.

So there’s the why. Now where’s the how?

As promised, here is your guide to how to be funny in writing. Follow these steps, and you’ll surely be busting guts in no time at all:

1. Give up now.

If you haven’t figured out how to be funny on your own already, it’s not going to happen. What do you think I am, a wizard or something? Go on. Get outta here!

2. Wait, no! I was lying! Don’t go!

I was just doing something unexpected to try to catch you off guard. Did it work? Sometimes the element of surprise is enough to elicit a laugh when writing humor.

3. See what I did there? Aren’t I clever?

“Oh, the cleverness of me!” If it fits your story, making allusions to famous icons and events can put your jokes into context and help readers relate to you. Peter Pan is a go-to of mine, so you can’t have him, but anyone else is all yours. Another way to illicit a laugh is to hearken back to a previous point from your own story in a surprising way. Once you set up a world, weave together inside jokes that you share with your reader.

4. A false sense of grandeur can sometimes be funny, too. Trust me—I know.

Pretending that you know what you’re talking about is a sure way to get people to laugh at you, especially if you quite obviously don’t know what you’re talking about. Sure, it might not be the kind of laughter you’re after, but a laugh is a laugh, right?

5. Right. You wanted to learn how to be funny.

If you really want to learn how to be funny, you’re going to have to do a bit of work. Read some of the works mentioned above, and think about how humor is used in them (using my handy-dandy descriptions as a guide). Then, think about how you can incorporate humor into your own writing.

Make note of the jokes that made you laugh the hardest, and dissect them to really understand how they work before putting those mechanisms into practice.

Your jokes might not be gold at first, but in time, I’m sure you’ll find that you’re cracking jokes faster than my grandma cracks eggs for Sunday brunch. Have I mentioned yet today how much I love her?

 

Filed Under: Books and Creative Writing, Content Writing Tagged With: rw, social media, writing advice

The 8 Scariest Monsters in Literature

Introduction

The thin layer of frost, brisk air, and falling leaves all signify one thing: it is finally that time of year when it is socially acceptable to eat hundreds of tiny chocolate bars in one sitting.

October is hands down the best month of the year. By day, you can enjoy the beautiful fall weather, and by night, you can indulge in your favorite guilty pleasure (besides chocolate): horror novels. Seriously, fall is an excellent time to dive into a good book, and every great horror novel begins and ends with a good monster. Don’t believe me? Check out this list of the scariest monsters in literature.

Dracula

Dracula: the original vampire. He is not the sparkly vampire we are accustomed to. He was brought to life in 1897 by Bram Stoker. Dracula turns into a bat at night and can turn into a wolf during the day. Oh, in case you forgot, he also sucks blood. If that wasn’t enough, the man is as alluring as he is terrifying; he is described as a charming, handsome man that has an uncanny ability to blend into society.

Grendel

Grendel is the antagonist from the poem Beowulf. He is often described as an incredibly strong giant. Not only is he large, he is also charmed in such a way that he isn’t affected by human weapons. He terrorizes Hrothgar’s kingdom and is feared by everyone (except Beowulf, of course). And it’s no wonder why—he can defeat dozens of men at a time and then eats the dead. Gross.

Pennywise

Pennywise is the monster from Stephen King’s novel IT. It presents itself as a clown for the majority of the novel, terrorizing a small town. Pennywise has claws and razor-sharp teeth. Yeah, we know, it’s a terrifying image. To make it even worse, Pennywise preys on fear and targets children.

Beldam (The Other Mother)

Beldam is the villain from Neil Gaiman’s Coraline. In the novel, a young girl finds herself in an alternate world that is a mirror image to her own. There, she meets Beldam, the Other Mother, who cares for and loves her unconditionally.

What, that doesn’t sound scary? Did we forget to mention the Other Mother is actually a witch who wants to sew buttons onto Coraline’s eyes and steal her soul? Yeah, no thanks.

Fun fact: Beldam actually means hag or witch, which is an excellent example of a charactonym.

Patrick Bateman

Patrick Bateman is the main character from the novel American Psycho, written by Bret Easton Ellis. Though he is of the human variety, Patrick the (maybe) serial killer is super scary. He lives out his darkest fantasies, including murder and cannibalism. This book is so twisted that it has been banned or labeled R18 in several countries. This is a novel for the die-hard horror fanatics, so please don’t give this novel to children!

Frankenstein’s Monster

Mary Shelley delivered one of the most iconic monsters of all time in her book Frankenstein. Dr. Frankenstein combined various body parts to create this monster, which was given life by a mysterious spark. He is eight feet tall and very strong. After being abandoned by his creator, he seeks revenge and goes on a murder spree. Perhaps tied for scariest monster in this book is Dr. Frankenstein himself, the irresponsible scientist who ignores the consequences of his actions.

Dementors

J.K. Rowling introduced the world to dementors in Harry Potter and the Prisoner of Azkaban. They are black, wispy, soul-sucking beings that patrol the Azkaban prison. When they are brought to Hogwarts to protect the students after the infamous Sirius Black escapes prison, they attack Harry without warning.

Conclusion

Are you scared yet? Share some of the scariest monsters you know with us on Facebook or Twitter!

Filed Under: Books and Creative Writing Tagged With: fun, halloween, reading, rw

Why Libraries Will Never Go the Way of Blockbuster

A few quick questions before we start:

  • Do you read the newspaper in print or online?
  • Do you watch reruns of your favorite movies and shows on DVD, or do you opt for Netflix instead?
  • Do you refuse to abandon print books, or do you adore the convenience of your e-reader?

As a consumer in the digital age, you have access to a greater volume of information in more formats than ever before. And regardless of how you answered these questions, the manner in which you access information and media has likely changed drastically. For example, online streaming of films and television shows has virtually eliminated video rental services (R.I.P., Blockbuster!).

Another question: Do you use your local public or academic library? If so, how often?

Many of us do not have the time to browse the stacks for hours on end, much as we might like to. What does this mean for the future of libraries?

Are libraries and the services they provide obsolete?

Though they have long been deemed the unfortunate victims of the digital age, here are a few reasons why libraries will not go the way of Blockbuster any time soon.

Quality versus Quantity

“Without libraries, what do we have? We have no past and no future.”

 – Ray Bradbury

A simple Google search will yield millions of hits in a fraction of a second. This means that we can find information on any topic imaginable almost instantaneously.

If this is so, why use library resources? Visiting a library in person or using a library website to access resources might seem like more of a hassle than anything else.

I’m sure you’re aware, though, that the information you find on the Internet is unpredictable in terms of quality (to put it nicely). Immediate answers to your questions are not necessarily the best answers. And depending on your purpose and the type of information for which you are searching, getting the wrong information could be problematic.

For example, using information from an anonymous online blog to write your paper on the history of the printing press could lead to a true research disaster. (No, the printing press was not invented by a wheat-loving baker named Glutenberg in an attempt to spread pro-gluten propaganda.)

Librarians can help you sift through the content you are bombarded with daily and filter out the misinformation.

Librarians pride themselves on providing users with high-quality, trusted information. For example, as an alternative to resources like Wikipedia (which is fine for some preliminary research but should be used very cautiously as a final resource), libraries subscribe to electronic reference materials like dictionaries and encyclopedias. These sources provide information on an immense variety of subjects, with entries that are often written and signed by experts.

Information Access for All

“I go into my library and all history unrolls before me.”

 – Alexander Smith

As a true library advocate, this point is one of my favorites.

In my view, the principle on which libraries operate is truly democratic. Those who have access to meaningful information can make well-informed decisions in all areas of their lives.

Libraries help remove barriers to information access by providing all users with free information in a variety of formats on virtually any topic. Library policies ensure that all library resources are routinely evaluated to eliminate any potential barriers that could inhibit users as they access information (e.g., paywalls for journal articles or hard-to-reach shelves).

Historically, librarians have championed users’ right to information on all topics and have even fought against authorities that have attempted to bar users from accessing this information.

For example, the Windsor Public Library in Ontario posted an article discussing some of the glorious banned books being read by staff, just in time for the American Library Association’s banned book week.

Libraries also help support literacy and learning for people from all socioeconomic backgrounds. Sometimes referred to as the people’s university, libraries tackle the growing cost of education by providing free educational resources for everyone. These resources can provide academic support to students of all ages and aid those who wish to brush up on a topic or learn something new.

In addition, libraries can help users find a copy of virtually anything that exists bibliographically through interlibrary loans. This service allows users to obtain a copy of an item that is not held at their local library. Need an online article or a specific book? Before making an online purchase or running to the bookstore, try an interlibrary loan.

Though many of us are fortunate enough to have an Internet connection at home, some are unable (or unwilling) to subscribe to an Internet provider. Thankfully, libraries bridge the gap to digital information by offering free Wi-Fi so that users can surf the web and avoid paying a monthly Internet bill.

Always Adapting

“My lifelong love affair with books and reading continues unaffected by automation, computers, and all other forms of the twentieth-century gadgetry.”

– Books in My Life, Robert Downs

Though the way that libraries offer their services has changed, the fundamental standards on which their services are based remain the same. Understanding user needs and emerging trends in information access are the guiding principles on which library services are based.

Libraries have demonstrated an incredible ability to adapt their services to shifting user needs. In an effort to reach more users and accommodate various preferences, library materials are offered in both traditional print and digital format.

In fact, many libraries (public and academic alike) have increased their focus on developing their electronic collections and digital resources. For example, Hoopla, a database available through the Chatham–Kent and Windsor Public Library systems, lets users borrow free digital music, movies, and audiobooks, all of which can be downloaded to a computer or phone for offline access. Most libraries subscribe to expensive databases and electronic resources so that patrons are able to use them for free.

Beyond Internet resources and other media, many practical opportunities are made available through libraries that teach the public everyday skills, such as how to do CPR, how to do basic yoga, and how to properly use laboratory measuring equipment. These events not only impart knowledge but also connect people and encourage community involvement.

Conclusion

Libraries are no longer simply repositories for print books waiting to be checked out; they are spaces in which collaborative learning and engagement take place. Library programming and events are incredibly diverse and target all segments of the population, and the resources libraries provide benefit all members of the public.

Although it may be impossible to predict the future of libraries, these institutions have proven to be innovative and relevant. Libraries will continue to cater to the needs of the public, even as those needs change.

 

Filed Under: Books and Creative Writing Tagged With: fun, resources, rw

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